The Sweet Science of Bruising Review
16.06.2022
Boxing and corsets are not two things you’d expect to be put together, yet this is exactly what Theatre Travels Productions does, and does well in The Sweet Science of Bruising. The Australian premiere of the British play written by Joy Wilkinson, explores the lure of boxing for four distinct women living in 1869 London.
The set (production design by Hannah Yardley) immerses the audience in the life of the so called ‘Angel Theatre’ – theatre by day, boxing ring by night – transformed under the reigns of the unconventional Professor Sharp (Cormac Costello). The audience are put in the position of boxing and theatre spectators, allowing for fun and energetic participation.
The play follows four women desperate to break free of the constraints placed upon them. Each has a distinct accent reflecting their upbringing and class (Linda Nicholls-Gidley as accent and dialogue coach) and costumes which cement this (Bella Rose). There is Violet (Kitty Simpson), a science extraordinaire struggling to secure respect and funds needed to train as a doctor. Anna, a mum of two, living with an abusive and controlling husband (Davey Seagle). Matilda (Kian Pitman), who works at The Times by day and frequents ‘The Angel’ at night as a prostitute. And the vibrant Polly (Esther Williams), who is a ‘fighter’ by nature after being abandoned at birth.
After Polly is seen sparring with her ‘brother’ (Benjamin Balte Russell), Professor Sharp comes up with the idea to introduce female boxing to the Angel, with the show culminating with a competition for the title of ‘Lady Boxing Champion of the World.’ The large sum of prize money brings a chance for all these four women to live without needing to be dependent on or constrained by men – for them it’s their freedom they are fighting for. The clever use of lighting (Sophie Parker and Capri Harris) adds to the suspense and stakes of these matches, casting shadows around the room.
The production doesn’t shy away from heavy themes, such as domestic and medical abuse and violence, which leads to some deeply vulnerable and tragic scenes. Under the careful direction of Carly Fisher, these topics are treated with respect and not used for shock value, giving audience members the space to process what is happening on stage. The precise choreography (Tim Dashwood) in intimate scenes, violent scenes, and of course the boxing scenes adds to the feeling of respect and safety for the themes raised, as well as some thrilling and impressive boxing! The humour and energy in the play, especially from Professor Sharp, brings balance to the heavier themes.
The four intertwining narratives come together beautifully, with the power of friendship reigning above all these things. This show is a must see!
4 Stars.
Julia, 25 [she/her]
Theatre Travel’s The Sweet Science of Bruising played at the Flightpath Theatre from the 15th June to the 2nd July.