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13.10.22 As the lights went down in The Rebel Theatre, we were sent off the Southern Coast of Tasmania and into the wild, untameable seas. Griffin McLaughlin in Past the Shallows, 2022. Photo by Brett Boardman © The setting was immediately clear thanks to seascapes projected onto the set’s three…

06.10.22 It is always tricky taking on the challenge of adapting a much-loved modern classic, because you are destined to disappoint someone. Jennifer Vuletic in Looking for Alibrandi, 2022. Photo by Daniel Boud © Looking for Alibrandi, a famous book and film, is now a play produced by Belvoir St…

03.10.22 Is there an ambiguous grey area or multi faceted element to the ideals surrounding ‘truth’? What constitutes this and can it be up to each individual’s own interpretation? Sydney Theatre Company brings us The Lifespan of a Fact, delving into these morally unsure, yet extremely prevalent questions – all…

ATYP’s reviewing program was created to give young people a platform to voice their opinions and experiences while developing skills in critical reflection. The views expressed are those of the writer and do not reflect the views of ATYP or its staff. 21.09.22 Anna (Stephanie Somerville) is a 22-year-old freshly…

19.10.22 Created by Laneikka Denne, and supported by KXT and PYT Fairfield, The Monologue Collective is a selection of monologues written and performed by young people. The collective started after Laneikka noticed that many high school students struggled to find monologues for their HSC that accurately reflect the experience of…