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Bernhardt/Hamlet Review

03.06.2022 Theresa Rebeck’s Bernhardt/Hamlet directed by Lee Lewis starring Angie Miliken is a joyful and captivating production and one to see come hell or high water. Bernhardt/Hamlet, 2022. Photo: Brett Boardman © Miliken commands the stage with an engaging presence that draws the audience into her complex performance. Not only…
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Sexual Misconduct of the Middle Classes Review

05.06.2022 Walking out of Sexual Misconduct of the Middle Classes I was totally unsure if I loved it or hated it, and in the end that feels like the point. Izabella Yena and Dan Spielman in Sexual Misconduct of the Middle Classes, 2022. Photo: Jaimi Joy © The play hurtles…
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Berlin Underground x Theatre x Grannies?

Hi folks! It’s a pleasure to meet you. I’m Lauren, another fresh face at ATYP in this exciting time of growth for the company. I moved from Melbourne last month to take on the brand new Associate Producer position and I’m thrilled to be here! I’ve worked as a producer…
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The Martin-Lysicrates Prize 2022

MARTIN-LYSICRATES PRIZE 2022 ATYP is proud to partner once again with The Lysicrates Foundation and Riverside Theatres to present the exciting Martin-Lysicrates Prize 2022. The annual Martin Lysicrates Prize, first awarded in 2017, with a one-year COVID break in 2020, is a unique playwriting competition supporting the development of new…
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Young Bodies/Somebody’s Review

28.05.2022 When I first heard of Miranda Michalowski’s debut play Young Bodies/Somebody’s,  I’ll admit I was pretty excited by the concept. A show about shame, secrecy, and sisterhood; a relatable relationship dynamic that I don’t think is explored too often on the stage. Therefore I was pretty excited to head…
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Ate Lovia Review

24.05.2022 Ate Lovia contains themes of racism, alcohol addiction, domestic abuse, and family violence. It’s a wet evening in Sydney but it’s warm and toasty inside The Old Fitz waiting to watch Ate Lovia (pronounced AH-teh low-VEE-yah). I was very excited to see this piece of work as it had been…
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