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Babette’s Feast Review

07.09.22 Walking into the Australian Premiere of Babette’s Feast, I was unsure of what to expect, aside from thinking that it would include…well…a feast! I walked out feeling lost for words that could capture the beauty of this production. The seamless integration of lighting, sound, movement, acting, and impeccable transitions…
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Labyrinth Review

01.09.22 Wall Street, boys clubs, gambling and money, money, money. There is nothing like a theatrical dive into the complex world of the 1970s-80s Bank of America. Just how many men tread the path of Icarus and are left free falling? The cast of Labyrinth, 2022. Photo: Clare Hawley ©…
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Albion Review

13.08.22 Set in a decaying historical garden, Albion tells the story of an upper-class woman doing her best to save what was once, in her eyes, glorious. Capturing the audience and holding them in a thickened state of tension, Albion manages to take long dialogue scenes and transform them into…
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Whitefella Yella Tree Review

29.08.22 Sometimes a show is just so good that it reminds you why you fell in love with theatre in the first place. Whitefella Yella Tree is such a show.  Callan Purcell and Guy Simon in Whitefella Yella Tree, 2022. Photo: Brett Boardman © Two young boys meet under a…
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What’s on in September!

Hello, ATYP, this is Martha speaking! Coming at you from the front desk of our office at Pier 2/3, I’m Martha – the receptionist with the mostest. I have the pleasure of being ATYP’s Administration Trainee, meaning I’m across everything from phone calls and grocery shopping to running the YABbies…
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Tell Me I’m Here Review

25.08.22 Is every story a good one for the stage? After seeing Belvoir St Theatre’s Tell Me I’m Here, an adaptation of Anne Deveson’s classic Australian family memoir, I am just not sure.  Nadine Garner & Tom Conroy in Tell Me I’m Here. Photo by Brett Boardman. There is a…
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