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Including research in your National Cultural Policy submission

As many of you know, the deadline is fast approaching for submissions to help inform the Australian Government’s new National Cultural Policy. We’re writing today to remind you that research can be a hugely valuable tool in your advocacy toolkit. Over the last few months, ATYP has been working with…
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Have your say on the future of Australian arts

Join ATYP in making a submission to the National Cultural Policy by 22 August and send a message to the federal government that young people have value and deserve opportunities to tell their stories and see themselves reflected in our culture. It’s easy! In 500 characters, share your thoughts on what young people’s…
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The One Review

26.07.22 Theatre has an extensive history of catering to all white senior audiences, and The One is no exception. The show was advertised as a production that “colourfully unravels the complexities of what it means to be Eurasian in contemporary Australia,” written by Vanessa Bates and directed by Darren Yap.…
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Fangirls Review

30.07.22 The hit 2019 musical Fangirls—Yve Blake’s love letter to teenage girls and their passions—is back for a third production in four years, and if those stats aren’t enough to convince you to buy a ticket, then I don’t know what will.  The cast of Fangirls, 2022. Photo by Dayna…
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The Camel (VIC) Review

29.07.22 Three artworks. Two Siblings. One apartment. A camel in the Ceiling. Yes, that’s right a camel calling for help whilst the two siblings concur on failure, siblinghood, relationships as well as trying to succeed as artists. Having an extravert and an introvert created the perfect as well as relatable…
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Much Ado Review

30.07.22 Attractive, Not Model Attractive kicked off their premiere show with a BANG and really said “we’re here”. From the marketing, to the production design, to the personality of the cast – this new theatre company has earned their own aesthetic and skillful place in Sydney’s theatre scene. Mym Kwa…
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